Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Wednesday, May 23, 2012

eBook cover design! Guest post by Cory Clubb



Cory has done a few covers for me and is a great guy to work with. He is not scared to try new things and create new and exciting covers. I wanted to have him on to talk about covers as they are very important to selling eBooks. A cover is not just about cool art but getting the right cover for the right book...




Guest post by Cover Designer, Cory Clubb!




eBook Cover Design.

                  The old saying goes “Never judge a book by its cover”. Like most folks, you, for example, are just trying to break in. You’ve got your manuscript finished and are ready to throw it out into the world. Even better, with the explosion of eBooks, you’ve got an all access way to reach a real audience. Although that old saying has now become truer than you think. That’s what I’d like to focus on here: eBook cover design.
                  You, the self-pubbed author, someone who has never signed with a publishing house and you can barely stand to wait and unleash your story on the masses. This is your first strike against you when it comes to cover design. Slow down. It took you months, maybe even years to write that book. Why not take some time to package it nicely and have it done right. A white cover with the title and your name in black Papyrus font on the cover is not going to gain you readers. Seriously, I’ve seen this.
                  Secondly, you’re not a designer, you’re a writer. This is one of the hardest things about cover design in an eBook market. I’m not saying you couldn’t design a perfectly fine cover, I’m saying if you’re putting your name on the front, you’ve got a story to tell, not a book cover to create.  Relax and don’t worry here’s the upside. Without being signed to a publisher, you’ve got free reign for what goes on the cover design. Let the professional designer worry about making it look pretty. You’ve got a sequel to crank out!
                  With eBooks and eReaders almost becoming the norm in publishing these days, you have mere seconds to catch a browser’s eye. Your book is not sitting on a bookshelf in a store, no, your little baby is at the justice of a flick of a finger. Maybe we should change the wording to that old saying to “Never judge a book, BUY its cover”? And isn’t that almost the case? Because in our technology advanced society, we don’t have time to turn to the back cover blurb and read about the book. We want it in one snap-shot of a moment to know what that book is about. This too is working against you.
                  For eBooks it’s go big or go home. The reader has to remember three things when telling some else about a book. The title, the author’s name, and what the cover looked like. Be memorable and standout. There are numerous legal thrillers out there, try something new and exciting! Have said all that, do remember that size does matter. With smart phones and tablets, we see things at thumbnail size. Be generous with your font sizes and have your name be in a legible font that works to your advantage.
                  Cover design is not an easy thing to do, believe me. What most self-published authors have wrong is that it doesn’t matter, just get it out there, and start selling! It does matter! You want to be remembered after your reader finishes that final scene. Don’t just slap on an image and be done with it, have some fun, take some time, and be creative with your design. If you don’t know how, hire a well respected cover artist because they put as much passion into your cover as you have in those words.


                 
A book cover needs to be unique to the story itself, inform the reader of what is going on with the plot, and the characters. It’s sort of like your elevator pitch, but instead it’s more of a tiny advertisement in that elevator and you’ve got seconds to get folks to notice it before they get off. 

-Cory   


Author Aaron Patterson: Blog: The Worst Book Ever.

Sunday, February 19, 2012

Guest Post by J.R. Rain: (The Waiting Game is Over)

The Waiting Game is Over
by J.R. Rain

Hi there. My name’s J.R. Rain and I’m a self-published author. No, this isn’t an AA meeting. In fact, I’m proud to say that I’m a self-published author. Admittedly, this designation once had a negative connotation to it. Now, not so much.

Now, thanks to Amazon Kindle, Barnes & Noble Nook and a place called Smashwords, writers from around the world are publishing their books independently, giving birth to the indie author.

I kinda like that: indie author.

It fits me. I’ve always been independent, from my complete inability to play well with others (read: bosses), to living on the fringes of society.

Yes, indie author. I like it. It fits. I’ll take it.

Like many indie authors on Kindle and Nook and elsewhere, I had gotten close to selling books to the major New York publishers. Specifically, The Lost Ark nearly sold to Mira Books, Moon Dance nearly sold to Kensington and Dorchester and Elvis Has Not Left the Building nearly sold to St. Martin’s Press.

That’s a lot of nearlys.

Meanwhile, while I waited months and months and months to hear from these publishers (Kensington never gave me a response...do you sense some bitterness here?), I went bankrupt, lost everything, and was generally one big, pathetic mess.

All because I was pursuing my writing dream.

All because I was waiting.

Then came Kindle. In 2009, I had heard about this thing called Kindle, that Amazon was allowing authors to publish directly onto their “platform” and, subsequently, directly into their bookstore.

Oh? I was intrigued.

Turns out, publishing with Amazon Kindle was the best choice of my life. It also turns out that these traditional publishers (see above) had done me a phenomenal service. By not publishing my books and leading me along and dashing my dreams, they gave me a great gift:

Product.

I still owned the rights to all my books. Books that didn’t quite fit the typical mold--like a soccer mom private detective who just so happened to be a vampire--a book I had written in 2003. A man writing about a woman was apparently taboo, and more than one publisher rejected it based on this alone. Now my “Vampire for Hire” series has gone on to sell more than 400,000 copies, hitting #1 in many categories. Maybe a man can write about a woman. What a concept.

Now publishers approach me. In fact, I had the very great pleasure of turning down a major publisher’s offer a few months back. Their offer wasn’t much of an offer. Put it this way: they were offering to take my money and my rights.

It was an easy no, although a part of me was flattered. And why wouldn’t I be flattered? I’m forty years old and I had spent the greater part of my life pursuing a writing dream.

Thanks to Amazon, I’m living my dream. Amazon, Barnes & Noble and Smashwords.

Sometimes people just need a voice, and, as it turns out, writers just needed a platform, an outlet. We got that initial outlet thanks to Amazon Kindle. Publishers told me they didn’t know how to market my books; well, I had a fair idea how to market my books. Turns out it wasn’t that hard to do, after all, and it was a lot of fun, too.

And this brings me back to my main point:

Thanks to Amazon’s revolutionary approach to getting books to readers, by helping authors bypass the traditional publishers, they have given us the gift of time. They have freed us from the waiting game. The endless waiting. The mind-numbing and soul crushing waiting.

That, in and of itself, is priceless.

Now, the waiting game is over, and the living game begins. Now I can spend my time writing the best books I can, with the full knowledge that they will be published on my terms, and in my time. My time.

That, in and of itself, is priceless.

--J.R. Rain

Friend J.R. on Facebook
Website
Follow J.R. on Twitter

BOOKS BY J.R. RAIN

VAMPIRE FOR HIRE
Moon Dance
Vampire Moon
American Vampire
Moon Child
Vampire Dawn (coming soon)

THE JIM KNIGHTHORSE SERIES
Dark Horse
The Mummy Case
Hail Mary (coming soon)

ELVIS MYSTERY SERIES
Elvis Has Not Left the Building
You Ain't Nothin' But a Hound Dog (coming soon)

THE SPINOZA SERIES
The Vampire With the Dragon Tattoo
The Vampire Who Played Dead
The Vampire in the Iron Mask (coming soon)

THE GRAIL QUEST TRILOGY
Arthur
Merlin (coming soon)

WITH SCOTT NICHOLSON
Cursed!
Ghost College
The Vampire Club

WITH PIERS ANTHONY
Aladdin Relighted
Aladdin Sins Bad

STANDALONE NOVELS
The Lost Ark
The Body Departed
The Silent Echo (coming soon)

SHORT STORIES
The Bleeder and Other Stories
Teeth and Other Stories
Vampire Nights and Other Stories
Vampire Blues: Four Stories

SCREENPLAYS
Judas Silver
Lost Eden

SHORT STORY ANTHOLOGIES
Vampires, Zombies and Ghosts, Oh My!

Author Aaron Patterson: Blog: The Worst Book Ever.

Wednesday, November 16, 2011

Guest Post: Paul Bishop: WHY PULP?


WHY PULP?

PAUL BISHOP (AKA: JACK TUNNEY)


Far too much of today’s fiction output is bloated filler designed to turn books into 700 page doorstops under the false assumption more is better. If you’re like me, you don’t have the time or patience to plow through 700 pages to read a story better served in 300 pages – or less.

The writers who work on the pulp magazines from back in the day understood this. Their audience wanted stripped down yarn filled with action, twists and turns, all with the point of providing reader satisfaction.

Hero pulps from the ‘30s and ‘40s, such as The Shadow, Doc Savage, and The Avenger, pull major collector’s prices today. To a lesser extent so do the weird menace and aviation pulps. Western pulps can still be had for bargain prices as can many of the romance and sports pulps.

The best of the sports pulps, Fight Card Magazine, however, demands the same high collector’s prices as the popular hero pulps. The stories in Fight Card Magazine were a definite cut above the stories in the multitude of other sports pulps. The most collectible issue of Fight Stories Magazine contain two-fisted tales of Sailor Steve Costigan written by the creator of Conan, Robert E. Howard.

It was Howard’s boxing tales along with many others from Fight Stories magazines that are among my pulp favorites. They have long held sway in my imagination, yet there was no modern home for their novelette length – until now.

The advent of e-publishing has not only provided a viable publishing platform for the 25,000 word novelette, but also a way to reach specific niche audiences hungry for these types of tales.

The Fight Card series, created by myself and prolific writer Mel Odom, is inspired by the boxing tales from the best of the sports pulps. Told in the straightforward, hard-driving, two-fisted pulp style, the yarns we spin under the Fight Card banner are designed to be read in one or two sittings while still providing major bang and satisfaction for your reading dollars.

Published under the unifying pseudonym Jack Tunney, the first two Fight Card books have just debuted across all e-book platforms. Felony Fists (written by myself) and The Cutman (written by Mel Odom), take different approaches to their boxing tales.

Felony Fists has a crime twist with L.A.P.D. detective /boxer Patrick “Felony” Flynn facing down Solomon King, a brutal heavyweight contender owned by mobster Mickey Cohen. Flynn’s mandate – put King on the canvas and stop Cohen from taking over the L.A. fight rackets.

The Cutman is an adventure yarn. Merchant Marine Mickey Flynn, Pat’s older brother, is in the ring in Havana battling the human killing machine Simbari. The fate of Mickey’s ship and her crew hanging in the balance.

Next month, Split Decision by Eric Beetner – a noir tale to stand with the best of the Gold Medal originals – will be Fight Card’s main event.

In the following months more top notch tales from top notch storytellers with an affinity for fisticuffs and pulp-style writing, along with more tales from myself and Mel Odom, will be climbing into the ring.

If you enjoy two-fisted, straightforward, timeless storytelling give Felony Fists or The Cutman or both a try, and let us know what you think.

FIGHT CARD: FELONY FISTS

JACK TUNNEY


Los Angeles 1954

Patrick “Felony” Flynn has been fighting all his life. Learning the “sweet science” from Father Tim the fighting priest at St. Vincent’s, the Chicago orphanage where Pat and his older brother Mickey were raised, Pat has battled his way around the world – first with the Navy and now with the Los Angeles Police Department.

Legendary LAPD chief William Parker is on a rampage to clean up both the department and the city. His elite crew of detectives known as The Hat Squad is his blunt instrument – dedicated, honest, and fearless. Promotion from patrol to detective is Pat’s goal, but he also yearns to be one of the elite.

And his fists are going to give him the chance.

Gangster Mickey Cohen runs LA’s rackets, and murderous heavyweight Solomon King is Cohen’s key to taking over the fight game. Chief Parker wants Patrick “Felony” Flynn to stop him – a tall order for middleweight ship’s champion with no professional record.

Leading with his chin, and with his partner, LA’s first black detective Tombstone Jones, covering his back, Patrick Flynn and his Felony Fists are about to fight for his future, the future of the department, and the future of Los Angeles.

FIGHT CARD: THE CUTMAN

JACK TUNNEY


Havana, Cuba. 1954.

Mickey Flynn is an ex-Korean War vet turned merchant marine. He was born in the ghettos of Chicago and raised in an orphanage with his younger brother, Patrick. He was one of several young men who received an education from the nuns at St. Vincent’s.

But he was also taught the "sweet science" by Father Tim, a Golden Gloves boxer and retired police officer who only knew one way to bring a troubled boy to manhood. Father Tim worked with his young charges, taught them how to jab and punch and throw a hook that seemed to come out of nowhere. When the young men left St. Vincent's (Our Lady of the Glass Jaw), they were changed, fit and ready to take on the troubles the encountered around the world, no matter where they found them.

Now Mick's in Havana, working on WIDE BERTHA, his ship. After surviving a fierce storm at sea, the last thing Mick and the crew need to do is get crossways with the Italian organized crime flooding Havana, but it doesn't take much to put him in the cross hairs of a vengeful mob boss working for Lucky Luciano.

Unable to get free of bad luck and unfortunate circumstance, Mick ends up in the ring in an illegal boxing match fighting a human killing machine.


About Paul:
A novelist and screenwriter, Paul Bishop also has a distinguished career with the Los Angeles Police Department, where he has twice been honored as Detective Of The Year. With over thirty years experience investigating Sex Crimes, Paul brings a gritty realism to his writing along with a healthy dollop of hard earned gallows humor.

As a nationally recognized interrogator, Paul appears regularly as one of two principal interrogators on the hit ABC reality series Take The Money And Run . . .

His novels include Hot Pursuit, Deep Water, Penalty Shot, and four novels in his L.A.P.D. Detective Fey Croaker series: Kill Me Again, Grave Sins, Tequila Mockingbird, and Chalk Whispers. He has also published two short story collections, Pattern Of Behavior and Running Wylde, as well as writing scripts for episodic television and feature films.

Check out Paul's blog HERE
And friend him on Facebook
And as you tweet follow Paul on Twitter



Author Aaron Patterson: Blog: The Worst Book Ever.